Emily Watlington
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🌐 artnews.comSource
The Colombian artist spent three years crafting a monumental structure out of human hair for her new show at White Cube in New York.
🌐 artnews.comSource
“The 90s: Art and Fashion,” curated by Edward Enninful of British Vogue and i-D, is meaningless anti-intellectualism.
🌐 artnews.comSource
Collaborations at the Harvard Art Museums; Prado Museum; Museum of Fine Arts, Boston; and Museum of African American History, Boston raise questions.
🌐 artnews.comSource
With funhouse mirrors and a peep Show. “Picabia. Open the Gates of Night,” at Palazzo Reale in Milan, is curated by the artist’s great-granddaughter.
🌐 artnews.comSource
His work in the Venice Biennale and at Paula Cooper Gallery turns history’s absences into artworks.
🌐 artnews.comSource
Grant Wood's portrait of a midwestern couple seems hardly a promising candidate for fame. Art historian Wanda Corn spent five decades investigating.
🌐 artnews.comSource
A review of the new documentary Georgia O’Keeffe: The Brightness of Light directed by Paul Wagner and now streaming on Apple TV.
🌐 artnews.comSource
From ARTnews.com: Venice Diary Day 3: Offsite Highlights Include Fleshy Films and Vegetarian Videos
🌐 artnews.comSource
From ARTnews.com: Venice Diary Day 2: “In Minor Keys” Is a Major Statement on Perseverance and Play
🌐 artnews.comSource
From ARTnews.com: Venice Diary Day 1: At the Giardini, Artists Refuse to Make Fascism Cozy