Flora Willson
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🌐 theguardian.comSource
Annilese Miskimmon’s new production of Puccini’s complex drama unmoors it from its church and state settings, but there are few gains, only losses in her radical reading. Christopher Purves’ brutish Scarpia, however, is terrific
LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
🌐 theguardian.comSource
The British composer’s ‘i have discovered the secret of death’ was beguiling and compelling, the centrepiece of a programme that saw Pappano and the London Symphony Orchestra firing on all cylinders
🌐 theguardian.comSource
BSO’s concert with their chief conductor Mark Wigglesworth mixed Tippett, Vaughan Williams, Adès and Sibelius. Best of all was the Tippett, and the Sibelius 5 had personality to burn