Lyndsey Winship
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🌐 theguardian.comSource
Ben Duke’s clever, witty and wholly unpredictable new show, The Last Hamlet, takes big liberties with the story that pay off
‘Turner prize for dance’ winner Christos Papadopoulos: failure, friction and my forgotten youthquake
🌐 theguardian.comSource
Amid galloping global crises, the Greek choreographer has returned to his revolutionary ideals. He explains how asking the near-impossible of dancers brings a shared joy
🌐 theguardian.comSource
Alina Cojocaru astonishes in John Neumeier’s Ghost Light, an ethereal meditation on time, while Glen Tetley’s Firebird has much to cherish
🌐 theguardian.comSource
More than 30 years after Raymond Briggs’ story became a stage show, director Will Tuckett and Paddington designer Tahra Zafar have given it a hi-tech refresh with a hunky Saint Nick
🌐 theguardian.comSource
The Olivier-winner draws on his Cameroonian heritage in a visceral show, with music and movement that speak as one
🌐 theguardian.comSource
From George Balanchine to the Rockettes, the US magazine regularly ran lavish photo spreads dedicated to dance, with the myriad ways people moved their bodies holding up a mirror to the changing times
🌐 theguardian.comSource
Sadler’s Wells East, London At 67, the mercurial Lecavalier is in the I’ll-do-whatever-I-want phase of her career, choreographing solos that are worlds away from cosy retirement Louise Lecavalier is known for dancing with David Bowie (on his Sound + Vision tour and Fame 90 video)