By David Fear Most of us dread the thought of entering the broken-down labyrinth that is the American health care system, yet we’ll happily watch hours of hyper-competent hospital employees bark jargon and scramble to save lives on TV. Medical dramas that tap into this high-stress environment frequently get rewarded with statuettes, eyeballs, and endless season renewals, and anyone entering the world of writer-director Petra Volpe’s Late Shift will immediately feel right at home. The film’s setting is a Swiss hospital. The hero — heldin, the German word for “hero,” was actually the movie’s original title — is a nurse on the verge of a nervous breakdown during a dusk-to-dawn rotation. The genre is the sort of recognizable staple that throws algorithm-dependent streamers into a tizzy. Love The Pitt? Check out this European art-house equivalent!…