Terrence O'Brien

is the Verge’s weekend editor. He’s covered the tech industry for over 18 years and knows a thing or two about synths.

BBC’s Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue Planet III goes warts and all.

Executive Producer Elizabeth White told The Guardian in the past, “the amount of plankton and things” floating in the water would have caused them to cut a shot.…