By Guy Lawley Just about every illustrator on the planet has a soft spot for the warm, nostalgic aesthetic of vintage comics. The visible dot patterns, uneven, mis-registered print and cheap newspaper stock offer a stark contrast to modern offset printed comics and graphic novels. For all the love the aesthetic gets, few of us know how vintage comics came to look this way, or what technologies were used to print them. Comics historian Guy Lawley has spent years tracing that history. In part one of this two-part series, he'll take you on a fascinating deep dive into the newspaper industry's color printing arms race, the surprising origins of the speech balloon and an introduction to the comic color systems used by craftspeople who never set foot near a computer. PART ONE: Four Colors on the Comic Book Page If you're an artist with an interest in the vintage comic book aesthetic, you probably already know how digital brush systems and effects kits like KrafTone and Debaser can recreate that same…
