Last year, Stel scored a TikTok hit off her first EP, Object Permanence , with “ I’ll Take It ,” trying on her best Ella Yelich-O’Connor atop some Boy Harsher rave stabs. On the greatest album of all time , her voice is less affected yet further out of reach, persistently clouded by AutoTune and sometimes submerged under the beats, so only her sibilants break the surface. It’s like hearing her through an exceptional high, and the way Stel plays with scale and setting will feel familiar to anyone who’s ever K-holed or greened out: You’ll blink and find you’ve changed locations without consciously moving a muscle. The syrupy “Wedding Song” sends a piano line sauntering down the aisle, then Stel dips into a slurred, singsongy cadence, there’s a trap drop, and it’s like riding shotgun while she raps along to Barter 6 and takes hits off her vape.…