Mathew Scott
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🌐 hollywoodreporter.comSource
Forty years after 'Escrava Isaura' swept the country, Lucélia Santos — the first foreign actress to win China's Golden Eagle Award — has returned to Shanghai.
🌐 hollywoodreporter.comSource
Cinemas themed around anime and live sports are luring younger crowds — and their spending — as Shanghai works to contend with China's box-office downturn.
🌐 hollywoodreporter.comSource
A first-time director takes the Golden Goblet, AI dominates every conversation and a 1961 classic leaves a packed house breathless.
🌐 hollywoodreporter.comSource
In Shanghai to head the Golden Goblet jury, the Hong Kong icon explains AI's threat to creativity, how to keep young audiences in movie theaters, and his late-career swerve into European arthouse cinema.
🌐 hollywoodreporter.comSource
As the line between film festival and tech expo continues to blur in China, SIFF ran filmmaking labs for work created by artificial intelligence, iPhone or virtual reality.
🌐 hollywoodreporter.comSource
The first feature from China's Zhong Kaifeng won over a jury led by Hong Kong icon Tony Leung Chiu-wai, which had set out in search of "surprises."
🌐 hollywoodreporter.comSource
Major awards go to first-time filmmakers, reflecting a commitment to finding Asia's rising stars, while industry initiatives continue to help young directors get films made.
🌐 hollywoodreporter.comSource
Canadian director Louis Godbout on how a suburban Montreal argument over a parking space became 'The Parking Spot' — a psychological thriller dividing SIFF audiences in the best possible way: "The film is a meditation on fate."
🌐 hollywoodreporter.comSource
The heads of the Berlin, Toronto and Hong Kong festivals, alongside former Oscars president Janet Yang and actress Joan Chen, offered emerging talent some encouragement — and tough love.
🌐 hollywoodreporter.comSource
On the sidelines of Shanghai, Chinese filmmaker Yu Shui, India's Gitanjali Rao and Aardman's Will Becher discuss what it takes to make a film the whole world wants to see.