Naman Ramachandran
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President Donald Trump lashed out at Bill Maher in a 1,300-word Truth Social post on Sunday after tuning into Maher’s late-night show on HBO. “Let’s talk about this COMPLETE AND TOTAL LOSER, Bill Maher,” Trump wrote at the top of the post, a few days after the pair’s second dinne
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The 39th Tokyo International Film Festival opened Monday with a rain-soaked red carpet and a ceremony at Hulic Hall, where Japan’s government used the occasion to restate its goal of selling JPY20 trillion ($133 billion) worth of Japanese content overseas by 2033. The festival re
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The AI technology behind Star Plus and JioHotstar series “Mahabharat: Ek Dharmayudh” is headed to Indonesia. There, its developer Galleri5 and fellow Collective company Collective Studios’ Historyverse plan to create film and series properties drawn from the country’s myths and h
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Stars of “Squid Game” and “KPop Demon Hunters” took the stage in Seoul on Oct. 24 as Netflix celebrated 10 years in Korea with a fan festival, where co-CEO Ted Sarandos previewed upcoming titles including “Tantara” and “All of Us Are Dead” Season 2. “Squid Game” was represented b
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“Forza,” Marco Balsamo’s soccer drama shot between Bali and Milan, has been picked up for international sales by EST N8, which will take the film to the Tokyo International Film Festival’s TIFFCOM market (Oct. 28–30). Before that, it gets its first public screening on Oct. 25 at
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Kartik Aaryan’s upcoming action drama “Captain India” is set amid the Houthi conflict in Yemen, Variety understands. The film marks Aaryan’s first turn as a pilot. Shimit Amin directs the project, which is based on a real humanitarian evacuation. Aaryan’s character leads the resc
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Korean filmmaker Lee Hwan-kyung, director of “Miracle in Cell No. 7,” has assembled an Indonesian ensemble led by Vino G. Bastian, Pevita Pearce, Faradina Mufti and Indra Jegel for “Gasigogi,” a father-son drama now in production with Falcon Pictures. The film follows Jiwa, a fat
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Japanese auteur Kore-eda Hirokazu, whose films are known for their natural performances from child actors, said there is one thing he has decided never to put on screen: a child crying. “It’s not that I can’t, or that it’s difficult. I don’t shoot it,” the Japanese director said
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Acclaimed Asian filmmaker Peter Chan Ho-sun, director of “Comrades: Almost a Love Story” and “The Warlords,” said he will probably use AI in his filmmaking but “definitely not AIGC,” or AI-generated content, and that the two-hour feature will hold its ground against short-form an
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Japanese filmmaker Ishikawa Hiroshi, whose credits include “Tokyo.sora,” “Su-ki-da.” and “Petal Dance,” is back with his first feature in 13 years. His new film, “the blue we touch” (original title: “Awo no Jo”), is in post-production and will be released in Japan in 2027 by Bitt